Oftentimes, we were re-writing jokes in the edit bay which did a lot to elevate the comedy. This mindset also really paved the way for a lot of creative freedom. 'History of the Wold, Part II' Credit: Hulu However, on History of the World, the actors in the sketches often would deliver a plethora of improv gold, and finding ways to work these moments into the sketches to layer jokes, was not only valued but encouraged. ![]() On The Upshaws, we almost always stuck to the script and the pace was much slower. Additionally, I had to recalibrate my thinking to the editorial style of single-camera sketch comedy. We would screen cuts together as an editorial team and debate how to land a joke better, or which scenes would play best in an episode together. ![]() The culture of History of the World was extremely collaborative. Of course, I jumped at the chance!Ĭoming from The Upshaws, where it was generally just me in the edit bay combined with the multi-camera editorial style, was an adjustment as History was quite the opposite. Just as we were wrapping up our season, Wanda asked if I’d be interested in cutting the Mel Brooks sketch comedy series. My experience editing The Upshaws led me to my next show, History of the World, Part II. History of the World Part 2 | Trailer | Hulu youtu.be I enjoyed the challenge of landing the jokes with the proper takes and reactions while artfully weaving in the laughter. The editorial style of The Upshaws is a hybrid of the two: we have the element of the studio audience, however, our showrunners prefer that the edits are on the tighter side, which is a different take on this format. Single Camera comedy, however, is usually edited in a much tighter manner, with jokes layered on top of each other. Multi-camera sitcoms are shot on a soundstage with a studio audience and because they have a laugh track, the editorial style is much like stand-up comedy in the sense that the show is cut fat with room for the laughter to play out and time for the characters to take the laughter in. The Upshaws: Part 3 | Official Trailer | Netflix youtu.beĬoming from a background of editing stand-up comedy made my transition to cutting The Upshaws a fluid one. This came with a lot of pressure and growth but also led to my first three Primetime Emmy nominations in 2023: two for The Upshaws and one for History of the World Part II. It was my first multi-camera sitcom and I was the only editor on the second season of a hit show (except Episode 5, where I share a credit with the talented Russell Griffin). This was a pivotal moment in my career for multiple reasons. The latest version is packed with features like an updated Clip Inspector, smart reframing for social media, better live previews, a Color Wrap tool that lets you adjust two color parameters at once, targeted grading with Magic Mask, improved scopes, and a ton of others. The paid version has a one-time price tag of $295, and you'll have access to a ton of other tools like motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools, remote rendering, as well as collaboration tools to work remotely with other users. ![]() If you need to export 4K, you'll want to consider upgrading to DaVinci Resolve Studio 17. Additionally, DaVinci Resolve 17 only supports a single processing GPU on Windows and Linux and two GPUs on the latest Mac Pro. With the free version, users can expect all the same processing power of DaVinci Resolve Studio, but it will limit project mastering and output to Ultra HD resolutions or lower. Much to the delight of fans, Blackmagic announced via Twitter that the free and paid versions of DaVinci Resolve 17 are out of beta and now available to download for Mac, Windows, and Linux.
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